![]() This isn't a film about super heroes, mafia bosses, or Wall Street traders. Watching Blue Is the Warmest Color demands introspection and self-analysis. If we were to use this logic, what's the point in enjoying anything? We may as well be on our own, never meet anyone, or do anything we enjoy because we'll only end up being disappointed. Not getting involved in committed relationships, marriage or otherwise, because of a fear of them coming to an end is a cop-out. You can't be scared of relationships just because of their potential to cause pain when they end.Īdèle's pain is heart breaking to witness because it is born from the joy she felt when things were going well. ![]() It shouldn't be seen as a cautionary tale to put people off relationships, but rather an honest portrayal of their meaningful ups and downs. ![]() Gay or straight, if we lose someone and want them back, we will do whatever we can-we will forfeit our dignity, if that's what it takes.Īs a cynic, I never thought I'd find myself writing this, but the main lesson I took from Blue Is the Warmest Color is to seize the day and be unafraid of intimacy. The scene reminds us that, once we enter a full-on relationship, we emotionally put ourselves on the line. Toward the film's end, when Adèle desperately tries to seduce Emma in an empty bar, begging in vain to rekindle their sexual and emotional connection, it becomes ever clear that this film really isn't about sexual orientation. The strength of this connection radiates off the screen, and the sex scene-while explicit-is necessary to illustrate the passion between the two. Yes, it's a romantic cliché, but the connection between the two characters is palpable and, as they fall in love, you can't help being reminded of how it feels to meet someone you really like: as though you are the only two people in the world. When Adèle and Emma first meet in a Lille bar there's an immediate energy and spark. Like most relationships, everything is taut and exciting at the beginning. Its French candor, its unwavering camera, and the way in which it captures exactly what it feels like to ache for another human being. Once I had left the theater, it dawned on me: What scared and affected me most about Blue Is the Warmest Color was its warts-and-all depiction of a human relationship. ![]() Director Abdellatif Kechiche spends three grueling hours painting an incredibly intimate picture of a relationship, from the fuzzy beginning, through the wobbling uncertainty in the middle, to the dismal end. I didn't get beaten up, lose the cup final, or get a viral disease watching Blue Is the Warmest Color, but I'd be lying if I said seeing it wasn't one of my most painful, draining experiences I've ever been through. I lost a load of weight and my head felt like a giant, pulsing boulder. ![]() My nether regions swelled up to grapefruit-like proportions and I degenerated into a state of dehydrated delirium, a sweat-bathed figure talking in nonsensical riddles and vomiting for a fortnight at my mum's house. I left in a flood of tears.įinally, I recall when I had mumps in my early 20s. It ended up pissing it down with rain-Eric Cantona scored twice and Chelsea lost 4-0. I was ten and Chelsea hadn't won a trophy in 23 years. My mind also occasionally returns to 1994-a youthful, more optimistic time in my life-when my dad took me to watch Chelsea vs. ![]()
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